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Project commisioned by Casa Árabe.

The project NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD entails constructing a collective album of compiled photographs and short stories from the residents of Lavapiés (Madrid). Directed by photographer Juan Valbuena, the project offers an approach to this multicultural neighborhood in Madrid, using only amateur photographs (in any support, from sepia to digital, from paper prints to cell phone images) belonging to the family albums and personal archives of neighbors from all nationalities (from Spain to Senegal, Mexico to China, Italy to Bangladesh). 

The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).


The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones. 


  1. (Archive, La Corrala Neighbors Association. Madrid c. 1977) La Corrala, or tenement house with a patio, the most famous in the neighborhood: located between Meson de Paredes, Tribulete and Sombrerete Streets.
    (Archive, La Corrala Neighbors Association. Madrid c. 1977) La Corrala, or tenement house with a patio, the most famous in the neighborhood: located between Meson de Paredes, Tribulete and Sombrerete Streets.
  2. (Zohra. Casablanca, Morocco 1968) I’m the little one in my grandfather Mubarek’s arms. I was 40 days old, at the time we lived in Casablanca.
    (Zohra. Casablanca, Morocco 1968) I’m the little one in my grandfather Mubarek’s arms. I was 40 days old, at the time we lived in Casablanca.
  3. (Josefa. Madrid, undated) My grandparents Andresa and José, in uniform, my aunt Esperanza, my father with glasses; on the left, my aunt Conchita, on the right, my uncle Pepito. Also shown are my uncle Jaime, my uncle-in-law Eugenio, who was also in the military, and one of his cousins.
    (Josefa. Madrid, undated) My grandparents Andresa and José, in uniform, my aunt Esperanza, my father with glasses; on the left, my aunt Conchita, on the right, my uncle Pepito. Also shown are my uncle Jaime, my uncle-in-law Eugenio, who was also in the military, and one of his cousins.
  4. (Momar. Kayar, Senegal, undated) I was a fisherman in Kayar for three years. Then I looked after my family’s boats. Now I’m better off here.
    (Momar. Kayar, Senegal, undated) I was a fisherman in Kayar for three years. Then I looked after my family’s boats. Now I’m better off here.
  5. (Fadma. Morocco, undated) My daughter’s wedding.
    (Fadma. Morocco, undated) My daughter’s wedding.
  6. (Alioune. Senegal 2008) In my town, we had a team called Ajax, and player #4 is my blood brother: both of our mothers are from the same mother and father. They just sent me this photo of when they won the tournament
    (Alioune. Senegal 2008) In my town, we had a team called Ajax, and player #4 is my blood brother: both of our mothers are from the same mother and father. They just sent me this photo of when they won the tournament
  7. (Jacobo. Madrid 2003) An unknown photographer portrayed everyday life in El Labo, a social center occupied by squatters on Amparo Street, in operation from 2002 to 2003.
    (Jacobo. Madrid 2003) An unknown photographer portrayed everyday life in El Labo, a social center occupied by squatters on Amparo Street, in operation from 2002 to 2003.
  8. (Haiying. Tientsin, China 1995) My husband Gao has been a professor of Chinese in Spain for six years, and I came here with my son ten months ago.
    (Haiying. Tientsin, China 1995) My husband Gao has been a professor of Chinese in Spain for six years, and I came here with my son ten months ago.
  9. (Eleanor. Madrid 2006) Madrid is the place where I first realized how lucky I was to be born in Great Britain, being able to travel freely with a passport I could obtain easily. After taking photographs of my neighbor Maxime for a few days, I felt that our situations were similar, even though they’re so different: both of us came to Madrid recently, with a language in common, French, and without knowing almost anyone.
    (Eleanor. Madrid 2006) Madrid is the place where I first realized how lucky I was to be born in Great Britain, being able to travel freely with a passport I could obtain easily. After taking photographs of my neighbor Maxime for a few days, I felt that our situations were similar, even though they’re so different: both of us came to Madrid recently, with a language in common, French, and without knowing almost anyone.
  10. (Roksana. Agra, India 2008) I went to the Taj Mahal on a trip with my family.
    (Roksana. Agra, India 2008) I went to the Taj Mahal on a trip with my family.
  11. (Ahmad. Madrid 2008) My niece Maha lives in a town populated mainly by Kurds in the outskirts of Damascus. Eight years ago I left and haven’t seen my family since, though I speak with them on a daily basis. Now Maha is twelve years old, and a couple of months ago she sent me a video telling me she missed me. I took a photo of the screen.
    (Ahmad. Madrid 2008) My niece Maha lives in a town populated mainly by Kurds in the outskirts of Damascus. Eight years ago I left and haven’t seen my family since, though I speak with them on a daily basis. Now Maha is twelve years old, and a couple of months ago she sent me a video telling me she missed me. I took a photo of the screen.
  12. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  13. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  14. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  15. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  16. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  17. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  18. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  19. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  20. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  21. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  22. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  23. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  24. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  25. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  26. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  27. The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of  Lavapiés neighborhood (Madrid).
    The book NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, edited by Juan Valbuena, evokes a family album with a contemporary spin. It brings together 115 images from the NOSOTROS project, most of them on a 1:1 scale, and contains a subtle thematic order. The book likewise includes 115 stories associated with the photographs, told by the residents of Lavapiés neighborhood (Madrid).
  28. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  29. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  30. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  31. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  32. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  33. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  34. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  35. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  36. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  37. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
  38. The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
    The exhibition NOSOTROS: A COLLECTIVE ALBUM FROM LAVAPIÉS NEIGHBORHOOD, curated by Juan Valbuena, was held in Casa Árabe (Madrid) from April 2 to May 3, 2009. The exhibition NOSOTROS offered an approximate chronological tour through the history of the neighborhood and its inhabitants, and delved deeper into the relationship between human beings and images—from glass display cases with original albums to screenings of everyday videos created with cell phones.
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Diseñado y desarrollado por Julio César González