Towards the end of the second millennium, the authorities controlling planet Earth decide that humans are ready for a new evolutionary leap, and they endow humans with a new tool: digital photography. Faced with a fear of the instability of the new support, the leading European photography agencies create the project The Whole Thing, which aims at capturing the planet for the last time, using 35 mm analog cameras. The enormous quantity of negatives produced for the project is now in the process of being scanned; predictions show that in the next two decades, thirty percent of this material will be made accessible.